Brian herzlinger dating

He took his winnings from the gameshow Taboo, bought a video camera at Circuit City and spent 30 days filming his attempts to land a date with Drew Barrymore. It seems you might be slightly amused by having to constantly talk about yourself. I am the last person who wants to watch me for 90 minutes. This journey started when I was six and the movie happened as a side effect. I said, “How about we focus on being peaceful.” The reason that I’m telling you this is that if you get too long-winded I’m just going to reach across and probably slap you a little bit. CHRIS NEUMER: It’s a place you go and then you’re like, “I used to live there.” BRIAN HERZLINGER: It’s great for horror stories. No one is ever going to be able to take it away from you and you went for it. The fact is I respect any publication, any person who is willing to take the time to recognize this, the film culture. CHRIS NEUMER: This is more interesting than hearing you talk about the

He took his winnings from the gameshow Taboo, bought a video camera at Circuit City and spent 30 days filming his attempts to land a date with Drew Barrymore. It seems you might be slightly amused by having to constantly talk about yourself. I am the last person who wants to watch me for 90 minutes. This journey started when I was six and the movie happened as a side effect. I said, “How about we focus on being peaceful.” The reason that I’m telling you this is that if you get too long-winded I’m just going to reach across and probably slap you a little bit. CHRIS NEUMER: It’s a place you go and then you’re like, “I used to live there.” BRIAN HERZLINGER: It’s great for horror stories. No one is ever going to be able to take it away from you and you went for it. The fact is I respect any publication, any person who is willing to take the time to recognize this, the film culture. CHRIS NEUMER: This is more interesting than hearing you talk about the $1,100. Two of the best feelings that have happened over this journey for all of us is when we started playing the film festivals and we won the audience award for best feature and we won over . BRIAN HERZLINGER: But the thing is playing the movie for film students, filmmakers, independent filmmakers it just shows you that technology has caught up to us to the point where you can ‘t make any excuses for not going out and making a movie. Has anyone come up to you and been like, “I was thinking about parking outside Eva Longoria’s house, but I was like no, no. I’m going to go.” BRIAN HERZLINGER: Well since that’s your question, I will give you the answer that I have given everybody else. I never had any aspirations to be in front of the camera. BRIAN HERZLINGER: [laughs] Well under Bush’s watch, world peace seems very far away. She doesn’t think any girl is good enough for her Jewish son. We kept that in the movie because– CHRIS NEUMER: Well, it was funny for starters. Everyone has a dream that they haven’t gone for, that they want to go for or they are willing to go for and are scared to. You read it and think, “Benjy is this character and he means this.” I was thinking you take a film like yours or something else like Neal Moritz produces– BRIAN HERZLINGER: Like , there’s nothing there. CHRIS NEUMER: Oh, that’s right and then she was the assistant. Jon and Brett have known me forever and knew how much it meant to me. I was doing it for so it was probably about the same time. The powers-that-be say, “We’ve got another door right over here. I’m a guy on the street trying to meet a super star that is out of my league. Now his warm, delightful film is getting a nationwide theatrical release. So then I was looking at the interviews you’ve done and you had 7 questions being asked of you. The thing is that this is a movie I made with two of my best friends whom I went to film school with and grew up with in New Jersey. So when I’m doing these interviews, I know why I’m doing it. I want the word to get out, I want the concept of it to get out. At one point in time I asked him a question like “How do you portray peaceful? BRIAN HERZLINGER: [laughs] CHRIS NEUMER: It seems like not only have you done a lot of interviews for your tour, but you’ve probably done a lot of interviews prior to the tour. It’s great to be able to say, “Look, I suffered.” It’s like when I say I went there after college. I’ve never had wind go through me before in my life. Probably because they all had plastic surgery but I digress. BRIAN HERZLINGER: By the way, what I am very excited about in talking to you about and doing the interview at all is the fact that you took the risk and started this magazine. Those are great movies, great movies that we love and respect. You know from the beginning of the movie that my biggest concern was being a stalker. My mom and my dad–I couldn’t ask for a more supportive family. My mom’s opinion of Drew Barrymore, of her being a slut, is formed by . Then you take a look at yours and you’re like, “Wait a minute. They also thought it would be really funny to watch me try to do it. CHRIS NEUMER: I was trying to do something with Nancy Juvonen a long time ago and when you mentioned Flower Films, it triggered something. Welcome to the PR firm.” BRIAN HERZLINGER: Oh yeah, publicity. Except for the publicists in there, they are great. CHRIS NEUMER: Is this billboard on Ventura Boulevard? What starts off as a self-serving promotional exercise takes on almost unreasonably charming dimensions in “My Date With Drew.” The story of filmmaker Brian Herzlinger’s personal quest to score a date with his idol Drew Barrymore in 30 days or less, this maddening yet deftly made, and finally disarming, documentary comes through with enough heart and hilarity to sell its celebrity-stalking shenanigans to genuinely moving effect.Already a crowd-pleaser on the festival circuit, where it won the HBO Comedy Arts Fest’s audience award, “Drew” could be a real draw for arthouse and mainstream auds, not least Barrymore’s multitudinous fans. Not without Hollywood connections, the trio (who directed, produced and took turns filming and editing) take a “six degrees of separation” approach to their quarry.

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He took his winnings from the gameshow Taboo, bought a video camera at Circuit City and spent 30 days filming his attempts to land a date with Drew Barrymore. It seems you might be slightly amused by having to constantly talk about yourself. I am the last person who wants to watch me for 90 minutes. This journey started when I was six and the movie happened as a side effect. I said, “How about we focus on being peaceful.” The reason that I’m telling you this is that if you get too long-winded I’m just going to reach across and probably slap you a little bit. CHRIS NEUMER: It’s a place you go and then you’re like, “I used to live there.” BRIAN HERZLINGER: It’s great for horror stories. No one is ever going to be able to take it away from you and you went for it. The fact is I respect any publication, any person who is willing to take the time to recognize this, the film culture. CHRIS NEUMER: This is more interesting than hearing you talk about the $1,100. Two of the best feelings that have happened over this journey for all of us is when we started playing the film festivals and we won the audience award for best feature and we won over . BRIAN HERZLINGER: But the thing is playing the movie for film students, filmmakers, independent filmmakers it just shows you that technology has caught up to us to the point where you can ‘t make any excuses for not going out and making a movie. Has anyone come up to you and been like, “I was thinking about parking outside Eva Longoria’s house, but I was like no, no. I’m going to go.” BRIAN HERZLINGER: Well since that’s your question, I will give you the answer that I have given everybody else. I never had any aspirations to be in front of the camera. BRIAN HERZLINGER: [laughs] Well under Bush’s watch, world peace seems very far away. She doesn’t think any girl is good enough for her Jewish son. We kept that in the movie because– CHRIS NEUMER: Well, it was funny for starters. Everyone has a dream that they haven’t gone for, that they want to go for or they are willing to go for and are scared to. You read it and think, “Benjy is this character and he means this.” I was thinking you take a film like yours or something else like Neal Moritz produces– BRIAN HERZLINGER: Like , there’s nothing there. CHRIS NEUMER: Oh, that’s right and then she was the assistant. Jon and Brett have known me forever and knew how much it meant to me. I was doing it for so it was probably about the same time. The powers-that-be say, “We’ve got another door right over here. I’m a guy on the street trying to meet a super star that is out of my league.

Now his warm, delightful film is getting a nationwide theatrical release. So then I was looking at the interviews you’ve done and you had 7 questions being asked of you. The thing is that this is a movie I made with two of my best friends whom I went to film school with and grew up with in New Jersey. So when I’m doing these interviews, I know why I’m doing it. I want the word to get out, I want the concept of it to get out. At one point in time I asked him a question like “How do you portray peaceful? BRIAN HERZLINGER: [laughs] CHRIS NEUMER: It seems like not only have you done a lot of interviews for your tour, but you’ve probably done a lot of interviews prior to the tour. It’s great to be able to say, “Look, I suffered.” It’s like when I say I went there after college. I’ve never had wind go through me before in my life. Probably because they all had plastic surgery but I digress. BRIAN HERZLINGER: By the way, what I am very excited about in talking to you about and doing the interview at all is the fact that you took the risk and started this magazine. Those are great movies, great movies that we love and respect. You know from the beginning of the movie that my biggest concern was being a stalker. My mom and my dad–I couldn’t ask for a more supportive family. My mom’s opinion of Drew Barrymore, of her being a slut, is formed by . Then you take a look at yours and you’re like, “Wait a minute. They also thought it would be really funny to watch me try to do it. CHRIS NEUMER: I was trying to do something with Nancy Juvonen a long time ago and when you mentioned Flower Films, it triggered something. Welcome to the PR firm.” BRIAN HERZLINGER: Oh yeah, publicity. Except for the publicists in there, they are great. CHRIS NEUMER: Is this billboard on Ventura Boulevard?

What starts off as a self-serving promotional exercise takes on almost unreasonably charming dimensions in “My Date With Drew.” The story of filmmaker Brian Herzlinger’s personal quest to score a date with his idol Drew Barrymore in 30 days or less, this maddening yet deftly made, and finally disarming, documentary comes through with enough heart and hilarity to sell its celebrity-stalking shenanigans to genuinely moving effect.

Already a crowd-pleaser on the festival circuit, where it won the HBO Comedy Arts Fest’s audience award, “Drew” could be a real draw for arthouse and mainstream auds, not least Barrymore’s multitudinous fans. Not without Hollywood connections, the trio (who directed, produced and took turns filming and editing) take a “six degrees of separation” approach to their quarry.

More than a decade after the release of “My Date With Drew”, these filmmakers sit down and share with us their fond memories of the project, including a heart-stopping moment when they got the call that would change Brian’s life just as the battery on their camera was dying and the tape was running out.

They also dish about a proposed alternate ending that would have sent Brian on a date with a totally different "Drew".

Hi Brian, We produce original quality professionally mixed spoken word tracks.

Brian Herzlinger is the most upbeat filmmaker in the world. CHRIS NEUMER: You also seem to be, I’ll say this, down to earth. This is not a movie that I worked on for 3 days, came in had a crew call and laughed after I played my role. Their first apartment is usually in North Hollywood. It’s the fact that you actually went and did something and you created this and this is yours. If you don’t take risks, you will have a wasted soul. CHRIS NEUMER: Costuming wouldn’t have been any better. I started out as an intern worked my way up to being a production assistant, worked my way up to being an assistant, worked my way up to unemployment. That’s when I went on a game show and everything changed. I just want to try and make this lifelong dream come true. and I’m sure this is teetering on the borderline of questions that you’ve already gotten … CHRIS NEUMER: It’s not bad, it’s just a personal thing. I knew that my quest for Drew Barrymore is not going to matter my boss, Bill de Lia. He thinks world peace is the thing that you should be going for. CHRIS NEUMER: I was trying to figure out which one of those was more obtainable at the time, world peace or Drew Barrymore. That is a representation of something that everyone else has. CHRIS NEUMER: I’m not comparing it to something like , but when you take a look at something like that or E. Forrester or some Faulkner stuff, you have to take the metaphoric content out of it. CHRIS NEUMER: It’s like the people who are just too sociopathic to be put on get pushed right into the field.

,100. Two of the best feelings that have happened over this journey for all of us is when we started playing the film festivals and we won the audience award for best feature and we won over . BRIAN HERZLINGER: But the thing is playing the movie for film students, filmmakers, independent filmmakers it just shows you that technology has caught up to us to the point where you can ‘t make any excuses for not going out and making a movie. Has anyone come up to you and been like, “I was thinking about parking outside Eva Longoria’s house, but I was like no, no. I’m going to go.” BRIAN HERZLINGER: Well since that’s your question, I will give you the answer that I have given everybody else. I never had any aspirations to be in front of the camera. BRIAN HERZLINGER: [laughs] Well under Bush’s watch, world peace seems very far away. She doesn’t think any girl is good enough for her Jewish son. We kept that in the movie because– CHRIS NEUMER: Well, it was funny for starters. Everyone has a dream that they haven’t gone for, that they want to go for or they are willing to go for and are scared to. You read it and think, “Benjy is this character and he means this.” I was thinking you take a film like yours or something else like Neal Moritz produces– BRIAN HERZLINGER: Like , there’s nothing there. CHRIS NEUMER: Oh, that’s right and then she was the assistant. Jon and Brett have known me forever and knew how much it meant to me. I was doing it for so it was probably about the same time. The powers-that-be say, “We’ve got another door right over here. I’m a guy on the street trying to meet a super star that is out of my league.

Now his warm, delightful film is getting a nationwide theatrical release. So then I was looking at the interviews you’ve done and you had 7 questions being asked of you. The thing is that this is a movie I made with two of my best friends whom I went to film school with and grew up with in New Jersey. So when I’m doing these interviews, I know why I’m doing it. I want the word to get out, I want the concept of it to get out. At one point in time I asked him a question like “How do you portray peaceful? BRIAN HERZLINGER: [laughs] CHRIS NEUMER: It seems like not only have you done a lot of interviews for your tour, but you’ve probably done a lot of interviews prior to the tour. It’s great to be able to say, “Look, I suffered.” It’s like when I say I went there after college. I’ve never had wind go through me before in my life. Probably because they all had plastic surgery but I digress. BRIAN HERZLINGER: By the way, what I am very excited about in talking to you about and doing the interview at all is the fact that you took the risk and started this magazine. Those are great movies, great movies that we love and respect. You know from the beginning of the movie that my biggest concern was being a stalker. My mom and my dad–I couldn’t ask for a more supportive family. My mom’s opinion of Drew Barrymore, of her being a slut, is formed by . Then you take a look at yours and you’re like, “Wait a minute. They also thought it would be really funny to watch me try to do it. CHRIS NEUMER: I was trying to do something with Nancy Juvonen a long time ago and when you mentioned Flower Films, it triggered something. Welcome to the PR firm.” BRIAN HERZLINGER: Oh yeah, publicity. Except for the publicists in there, they are great. CHRIS NEUMER: Is this billboard on Ventura Boulevard?

What starts off as a self-serving promotional exercise takes on almost unreasonably charming dimensions in “My Date With Drew.” The story of filmmaker Brian Herzlinger’s personal quest to score a date with his idol Drew Barrymore in 30 days or less, this maddening yet deftly made, and finally disarming, documentary comes through with enough heart and hilarity to sell its celebrity-stalking shenanigans to genuinely moving effect.

Already a crowd-pleaser on the festival circuit, where it won the HBO Comedy Arts Fest’s audience award, “Drew” could be a real draw for arthouse and mainstream auds, not least Barrymore’s multitudinous fans. Not without Hollywood connections, the trio (who directed, produced and took turns filming and editing) take a “six degrees of separation” approach to their quarry.

More than a decade after the release of “My Date With Drew”, these filmmakers sit down and share with us their fond memories of the project, including a heart-stopping moment when they got the call that would change Brian’s life just as the battery on their camera was dying and the tape was running out.

They also dish about a proposed alternate ending that would have sent Brian on a date with a totally different "Drew".

Hi Brian, We produce original quality professionally mixed spoken word tracks.

Brian Herzlinger is the most upbeat filmmaker in the world. CHRIS NEUMER: You also seem to be, I’ll say this, down to earth. This is not a movie that I worked on for 3 days, came in had a crew call and laughed after I played my role. Their first apartment is usually in North Hollywood. It’s the fact that you actually went and did something and you created this and this is yours. If you don’t take risks, you will have a wasted soul. CHRIS NEUMER: Costuming wouldn’t have been any better. I started out as an intern worked my way up to being a production assistant, worked my way up to being an assistant, worked my way up to unemployment. That’s when I went on a game show and everything changed. I just want to try and make this lifelong dream come true. and I’m sure this is teetering on the borderline of questions that you’ve already gotten … CHRIS NEUMER: It’s not bad, it’s just a personal thing. I knew that my quest for Drew Barrymore is not going to matter my boss, Bill de Lia. He thinks world peace is the thing that you should be going for. CHRIS NEUMER: I was trying to figure out which one of those was more obtainable at the time, world peace or Drew Barrymore. That is a representation of something that everyone else has. CHRIS NEUMER: I’m not comparing it to something like , but when you take a look at something like that or E. Forrester or some Faulkner stuff, you have to take the metaphoric content out of it. CHRIS NEUMER: It’s like the people who are just too sociopathic to be put on get pushed right into the field.

The proud parents of twin sons, who are now in college on the East Coast, Brian and Danielle started "The Brian and Danielle Show" to share all their wonderful, talented and creative friends with you.

An actress with seemingly effortless screen chemistry, she’s the inspiration for Herzlinger’s best, most guileless performance.

Aside from the sound work, which requires some of the more garbled bits of dialogue to be subtitled, tech contributions are solid.

Pic becomes a study of the impenetrability of Hollywood, not to mention its inefficiency, frequent miscommunication and flat-out laziness.

Like so many ostensibly nonfiction films, “My Date With Drew” is a chronicle of its own making (it even keeps a running tally of the dwindling budget).

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There’s also a climactic moment when Herzlinger sneaks into the premiere of “Charlie’s Angels: Full Throttle” using a fake pass — a brilliant scene that allows Herzlinger, Gunn and Winn to display tremendous filmmaking chops on the fly.

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